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REVIEW: Truman & Tennessee

by Rebecca M. Alvin In 1940, a 16-year-old Truman Capote met 29-year-old Tennessee Williams. Their intense relationship lasted the...

This Is What Democracy Looks Like

by Steve Desroches “Tell me what democracy looks like? This is what democracy looks like!” That call and response chant has long been a hallmark of...

Master of Disguise

Sean Baker on Filmmaking on the Edge by Rebecca M. Alvin The Provincetown International Film Festival has celebrated “filmmaking on the edge” for 20 years now....

Films for the Fall Season

by Rebecca M. Alvin Movie lovers tend to fall into two categories: those who love blockbusters and big spectacle Hollywood films that provide escape and...

Identity Crisis

Joan Anderson’s A Year by the Sea hits local screens by Rebecca M. Alvin On an early morning in May of 2015, a small crew made...

A Simple Act

A Portrait of Chelsea Manning by Rebecca M. Alvin Tim Travers Hawkins’ new documentary XY Chelsea, which premiered last month at the Tribeca Film Festival in...

REVIEW: The County

by Rebecca M. Alvin If I had to choose just one word to describe what Grímur Hákonarson’s new film...

Illuminating Cuban Lives

by Rebecca M. Alvin Just a few weeks ago, there were two announcements made by the U.S. government that marked a sharp step back from...

REVIEW: Paris Calligrammes

by Rebecca M. Alvin In Ulrike Ottinger’s new film Paris Calligrammes (named after Apollinaire’s poetry collection of the same...

REVIEW: Troublemakers: The Story of Land Art

by Steve Desroches Stonehenge.  The Nazca Lines.  The Great Serpent Mound.  All massive and mysterious ancient creations that continue to capture our imaginations as to...
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